Monday, November 29, 2010

Sin of Omission: The Octopus Project — Hexadecagon

I've been a fan of The Octopus Project since I laid ears on 2007's Hello Avalanche. I've got a soft spot for good electronic music, and they found it faster than a swarthy ethnic lover.

They brought some obvious looping business to the party, as well as some analog synth, guitar, live drums and this adorable Donna Reed-looking girl playing a theremin. It veered effortlessly from frenetic and squelchy to smooth and lovely. So far, so awesome.

I would liken the evolution between Hello, Avalanche and Hexadecagon to that of Dan Deacon from Spiderman of the Rings to Bromst. A little less noisy, even prettier, more organic and — at the risk of sounding like a pretentious mustache blogging about music — more mature.

I don't know what Pitchfork thought about Hexdecagon, because they didn't deign to review it. They straight ignored it. Which is weird, because they had nice enough things to say about their first two records. It's also quite unfortunate, because sometimes a non-review is almost worse than a bad or lukewarm review — because it seems to send the message that a record is irrelevant. Or at least less relevant than whatever Best Coast and Wavves are saying on Twitter about Katy Perry, anyway. Neat.

The Octopus Project — Fuguefat

BONUS: The too-precious-to-omit "Wet Gold" video from 2009's (also snubbed) Golden Beds EP.


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